Sora 2 Can Generate Pikachu and Other Copyrighted Characters

Sora 2 Can Generate SpongeBob, Pikachu, and Other Copyrighted Characters

Sora 2

OpenAI’s Sora app makes AI-powered video creation simple. Image Source: App Store

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Fiona Jackson
Fiona Jackson
Oct 2, 2025
4 minute read
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Sora 2 is being used to generate videos featuring SpongeBob SquarePants, Pikachu, and other copyrighted characters. This comes after OpenAI reportedly allowed studios and talent agencies to opt out of having their work recreated by its latest artificial intelligence generator.

Since the new model was released on Tuesday, Sora 2 users have been enjoying experimenting with their favourite animated characters and testing the system’s boundaries. While OpenAI is rolling out access gradually, it is already possible to find videos of Patrick Star rapping, Nintendo’s Mario escaping from his game, and a boxing match between Pikachu and Blue from Blue’s Clues circulating on X.

Sometimes, copyrighted material appears to inspire clips even if it is not explicitly in the prompt. One user produced a convincing Rocket Raccoon imitation when they asked for a “photorealistic raccoon.”

Another generated an anime version of The NeverEnding Story after requesting a “cute young woman riding a dragon in a flower world, Studio Ghibli style.” It’s interesting that Studio Ghibli-fication is still allowed, given the backlash earlier this year when users of the image generator built into GPT-4o started creating cartoons in the iconic style

Opt-out requests and Disney’s block

Just before the model and its accompanying Sora app were launched, reports indicated that OpenAI was contacting copyright holders to give them the option to exclude their IP from Sora 2. But OpenAI’s process for honouring any requests more likely involved blocking specific outputs through modifications to the master prompt rather than ensuring the material was excluded from the initial training data.

Why can we assume this? OpenAI only started asking studios if they wanted to opt out in the last week, according to The Wall Street Journal, and it is unlikely that Sora 2 was completely retrained in the short period leading up to its release. 

Furthermore, The Washington Post found that the previous iteration of Sora, released long before the opt-out requests, was trained on swathes of copyrighted material. The likes of Netflix and Twitch confirmed that they had not provided their source material for training, and experts said the model was most likely sourced from YouTube and other publicly available online sources.

However, OpenAI appears to be honouring the opt-out requests it received. Disney was among them, according to Reuters, and users have reported being unable to generate Sora 2 videos featuring Spider-Man and Darth Vader.

When asked about how Sora 2 is generating clips containing copyrighted characters, OpenAI told Gizmodo that it sees them as new opportunities for creators to deepen their connection with the fans. It also claimed it was “working with rightsholders to understand their preferences for how their content appears across our ecosystem, including Sora.”

Dr Alina Trapova, a copyright law expert at University College London, said that OpenAI may argue that any use of copyrighted material for training is “fair use” in a US court of law, but ultimately still be “tremendously damaging” for rightsholders. She told TechRepublic: “The ‘bad’ potential uses – such as generating racist, misogynist, and harmful content – will bring about a lot of implications for reputation and attribution for these rightsholders. Nickelodeon would certainly not want a racist SpongeBob.”

Trapova added that OpenAI’s opt-out mechanism places a “potentially disproportionate” burden on rightsholders. “They would need to opt out and they would need to provide lots of detail as to what kind of versions of their works they are not happy with,” she told TechRepublic.

“What is more worrying is the fact that such opt-out impetus in the US comes from the AI companies, so they seem to be writing the playbook.”

While many copyrighted characters remain accessible in Sora 2, the company states outright that the model will not generate images of recognizable public figures without their consent.

The challenge lies in enforcing this while also maintaining its “cameo” feature, which allows users to insert a realistic avatar of themselves, or any human, animal, or object, in a generated clip.

Through the new Sora app, which is primarily designed for social networking, friends can remix and edit each other’s cameos. Users will control who has access to their cameo and can revoke permissions at any time, as well as review and remove any videos featuring it.

While OpenAI has emphasized safeguards against nonconsensual use of a person’s likeness, it is too early to determine whether these safeguards will actually prevent bullying, harassment, disinformation, and other abuses as the model becomes more powerful and avatars increasingly realistic.

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Altman memes highlight limits safeguards

Sam Altman, OpenAI’s CEO, is ironically already demonstrating the limits of these protections. He allowed his likeness to be used in Sora 2, and users have created videos of him getting caught shoplifting GPUs on CCTV and stealing art from the Studio Ghibli HQ.

After all, it is very easy to copy a video, which can persist even if the original is deleted. Even though AI-generated videos carry a Sora 2 watermark and an embedded AI disclaimer in the metadata, it remains to be seen whether people will actually check these markers before sharing politically misleading or even explicit deepfakes.

Read eWeek’s coverage about actress Scarlett Johansson calling out the use of her likeness in a deepfake video. And, how the judges of the 2026 Academy Awards will not take into account whether generative AI tools were used in the making of a movie.

Fiona Jackson

Fiona Jackson is a news writer who started her journalism career at SWNS press agency, later working at MailOnline, an advertising agency, and TechnologyAdvice. Her work spans human interest and consumer tech reporting, appearing in prominent media outlets such as TechHQ, The Independent, Daily Mail, and The Sun.

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